The Culture of China (Understanding China)

The Culture of China (Understanding China)

Language: English

Pages: 300

ISBN: 1615301402

Format: PDF / Kindle (mobi) / ePub


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natal family from marriage until the birth of their first child, as that birth is regarded as the consummation of the marriage. Magical rites, sorcery with human figurines, and ancestor veneration are additional elements that distinguish Zhuang culture. In the late 20th century and continuing into the 21st, customs associated with the use of bronze drums were revived as tourist attractions. Cultural Institutions, Festivals, and Sports in Daily Life Beijing remains China’s cultural centre, home

serious threat. Modern Transformation At the time of the first Opium War (1839–42) East Asian societies had been Confucianized for centuries. The continuous growth of Mahayana Buddhism throughout Asia and the presence of Daoism in China, shamanism in Korea, and Shintōism in Japan did not undermine the power of Confucianism in government, education, family rituals, and social ethics. In fact, Buddhist monks were often messengers of Confucian values, and the coexistence of Confucianism with

Chinese Art | 171 are decorated with flowers and leaves painted in an oxidized rust brown constitute an enormous family of Cizhou wares made for domestic and funerary use in numerous northern China kilns, and they are still being produced in some factories today. Cizhou techniques of decoration included free brush painting under the glaze, carving or scratching (sgraffito work) through one slip to another of a different colour, and painting over the glaze in low-fired colours. The earliest

were transformed to the point of breaking all continuity, that of China has grown continuously from prehistoric settlements into the great civilization of today. The Chinese themselves were among the most historically conscious of all the major civilizations and were intensely aware of the strength and continuity of their cultural tradition. They viewed history as a cycle of decline and renewal associated with the succession of ruling dynasties. Both the political fragmentation and social and

theoretical reasons for painting were emphasized. This period saw the first activity by the courtier class, who painted as amateurs and who were far better remembered in the written record of the art than were their professional, artisan-class counterparts. Among the first named painting masters, Cao Buxing and Dai Kui painted chiefly Buddhist and Daoist subjects. Dai Kui was noted as a poet, painter, and musician and was one of the first to establish the tradition of scholarly amateur painting

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